Were no angels (1955) movie torrent downloads

Spoken Word. John Baer. John Smith. Donovan's Reef. Dead Reckoning. John Baer Paul Trochard. Gloria Talbott Isabelle Ducotel. Lea Penman Mme. John Smith Arnaud.

Additional information Directors Michael Curtiz. Directors Michael Curtiz. Studio Paramount. Subtitles English CC. Foreman uncredited Jack Kenny Vendor uncredited Louis Mercier Celeste uncredited Torben Meyer Butterfly Man uncredited Paul Newlan Port Captain uncredited Anton Northpole Lamplghter uncredited Joe Ploski Coat Customer uncredited Ford Raymond Townsman uncredited Victor Romito Gendarme uncredited Produced by Pat Duggan Getting Started Contributor Zone ».

One level from the video game Destroy All Humans! The scene in question can also be unlocked for viewing by the player. The series' protagonist, Fox Mulder, is paid a visit by his partner Dana Scully at his home. The film is playing on the television, and the VHS sleeve is seen as Mulder states that he has seen Plan 9 42 times.

An adventure game of the same name was made, in which the player must recover the film from Lugosi's double, who has stolen it. Nelson, Kevin Murphy, and Bill Corbett. A commentary based on the performances was released by RiffTrax. It was advertised as a 'Three Riffer Edition', due to Nelson's solo commentary for the film's colorized DVD release, which had previously been sold as an audio file on the Rifftrax website.

On August 20, , the RiffTrax trio performed the commentary at a live event in Nashville, Tennessee, and the performance was broadcast to theaters across the United States. Splathouse's production was a stage-and-film hybrid that featured newly-shot footage for the production shot and directed by Edwin Fernando Gonzalez and Mike Delaney.

In connection with the Planet Nine hypothesis, the movie title recently found its way into academic discourse. In , an article titled Planet Nine from Outer Space about the hypothesized planet in the outer region of the Solar System was published in Scientific American.

The film features some reoccuring cast members and characters from Bride of the Monster , including Tor Johnson reprising his role of Lobo and Paul Marco again playing the character of Kelton, while the Amazing Criswell plays himself in the frame story of the film. Dunn in Bride , and by Johnny Carpenter in Night. Dunn however does appear in Night , albeit playing a different character.

Night of the Ghouls was never released theatrically nor shown on television, and was thought for years to be a lost film. It was finally released direct to video by Wade Williams in The basic plot involves the police investigating a supposed haunted house. The house is discovered to serve as headquarters for a confidence trickster who pretends to be able to contact the dead, and charges naive customers large amounts of money to allow them to speak to their deceased loved ones.

The film features a prologue and a brief acting role by Criswell, who also narrated Wood's Plan 9 from Outer Space. The prologue has Criswell rising from a coffin, leaving unclear if the 'metaphysical' narrator is awaking from a normal sleep, or whether he is actually a corpse returning to life. The latter implication can be seen as foreshadowing the final scenes of the film. One of the opening scenes features a montage of seemingly unrelated events, which seem to feature Wood's view of the post-war era and its social problems: juvenile delinquency, street fighting, and driving under the influence.

A memorable sequence has a car driving off a cliff and crashing. The sequence ends with the bloody corpse of the drunk driver staring blankly at the camera. According to Criswell's narration, this is a rather typical end to 'a drunken holiday weekend'. When the boy gets too aggressive, the girl ends the embrace with a slap and exits the car. At this point the narrative introduces the Black Ghost which lurks in the woods near them.

In short order, first the girl and then the boy are attacked by the undead creature and die. According to Criswell's narration, the two murders received press attention but were thought to be the work of a maniac. Bradford soon arrives, dressed in a top hat and formal evening wear. He was called to work while on his way to the opera, and he protests the idea of working an unexpected assignment. But Robbins informs him that the case involves the 'old house on Willows lake', which played a part in an earlier case investigated by Bradford.

The house was destroyed by lightning, but someone rebuilt it. A flashback scene establishes that the elderly Edwards couple had a terrifying encounter with the White Ghost by this house. Robbins assigns Kelton to escort the Detective, despite the protests of the man that ' Monsters! Space people! Mad doctors! They didn't teach me about such things in the police academy!

And yet that's all I've been assigned to since I became on active duty'. The line is used to recall Kelton's experiences in Bride of the Monster and Plan 9 from Outer Space , and to explicitly connect this film to its predecessors. Bradford drives a Pontiac Bonneville to the house and enters through an open door, to be confronted by Dr.

Acula played by Kenne Duncan. Dressed in a turban and cryptically mentioning that there are many already in the house, both living and dead, Acula is a rather strange figure. But Bradford convinces Acula that he is just another prospective client, so his entrance is accepted. A character from Bride , Lobo is depicted as disfigured from the flames which once destroyed this house. Outside the house, Kelton arrives late and has brief encounters with both the Black and the White Ghost.

Acula is a fake psychic by the name of 'Karl', as Bradford suspected earlier, and reveals that the White Ghost is an actress by the name of 'Sheila'. He doesn't believe in the supernatural. Both Bradford and Kelton have strange and sometimes violent confrontations within the house, and are eventually joined by reinforcements. As their accomplices fall to the police, Karl and Sheila attempt to escape through a mortuary room.

There they are confronted by a group of undead men, including one played by Criswell. The latter is the only one of them who speaks, explaining to Karl that the supposedly 'fake' psychic does have genuine powers and his necromantic efforts actually worked.

These dead men were restored to life, if only for a few hours, but they intend to take Karl with them in their return to the grave. The Black Ghost, genuinely undead, takes control of the impostor and tells her that it is time to join 'the others' at the grave. As the police try to understand what happened to the deceased Karl, the narrative ends with a shot of an undead Sheila, now truly a White Ghost.

In a brief epilogue which also closes the frame story, the narrator returns to his coffin. Rob Craig suggests that the film could be in part based on an earlier work, Sucker Money , produced by Willis Kent. That said, no in-depth discussion of the 'The Joker' can avoid the tune's central question: What, exactly, is 'the pompatus of love'? Well, nothing, at first — though it has grown into something of a neologism, or 'a newly coined term, word, or phrase, that may be in the process of entering common use, but has not yet been accepted into mainstream language.

Whether pompatus will ever gain that acceptance remains to be seen, but it does exist in the Oxford English Dictionary , where it's defined as 'to act with pomp and splendor.

If this seems like a lot of research trying to understand a song that's really about weed and chicks, hey, that's rock 'n' roll. Plus, 'the splendor of love' sounds downright boring. Today, 'The Joker' stands as a cornerstone of classic rock radio and part of the pop culture landscape. Topping Billboard's Hot in early , the song hit the top of the U.

It even partially inspired a feature film starring Jon Cryer — titled The Pompatus of Love , of course. Maybe what's most compelling about 'The Joker' is the fact that even though the lyrics seem to make absolutely no sense, there is always this feeling that if you just listen a few more times, you'll somehow unlock the secrets of Maurice, the space cowboy, and the pompatus of love. We've already seen Joe Walsh on our Top Classic Rock Songs list as a member of the James Gang, and it's a pretty safe bet we'll be checking in on him later as part of the Eagles, but right now, how about we take a trip down 'Rocky Mountain Way?

Technically, we could have snuck Walsh onto our countdown four times. Even though only his name is on the cover, this song actually comes from the second album by his post-James Gang project, Barnstorm. Reportedly inspired by the longtime Ohio native's move to Colorado, the chunky slide guitar, lurching rhythm and rolling piano line on 'Rocky Mountain Way' does indeed capture the rugged natural beauty of that state.

Simpler forms of the technology had been used on records before. Peter Frampton was obviously inspired: He called Walsh to find out what this magic box was and how to use it. The results can be heard on Frampton's later entry on this Top list. Still, its success was quickly followed by legal controversy. Regardless, Harrison believed that because 'My Sweet Lord' sounded like a pop song, it had the power to sneak up on the listener, and he was right.

He longs to touch the real thing, whoever she is. Alas, this mystery girl remains only a fantasy and much to his despair, he can only love her from afar. Def Leppard knows the formula for creating a good single, and this was just one of many for this talented group.

With its strong, passionate vocal from Elliott and great guitar riffs from Collen, the song's unforgettable melody is as indelible as a photographic image. Prior to their time in Bad Company, Paul Rodgers and drummer Simon Kirke had already realized a few rock and roll fantasies of their own with Free. Their signature number 'All Right Now,' which deservedly grabs a slot on our Top Classic Rock Songs countdown, was created by a group who were just in their teens when they first got together.

In fact, bassist Andy Fraser just 15 years old at time. Listening to 'All Right Now' now, however, you wonder how anyone missed it. But Island Records president Chris Blackwell stepped in and released it anyway. They needed a number to get the audiences on their feet, and 'All Right Now' which was made complete with a healthy helping of cowbell proved to be just what the doctor ordered.

Inner-band turmoil and wildly fluctuating record sales eventually caused Free to break apart, and that was followed tragically by the drug-related death of Kossoff in Still, the blistering 'All Right Now' remains a feather in their cap. Released in , Blue Oyster Cult's classic ' Don't Fear The Reaper' could be considered the summation of all they had done up to that point in their career, condensed into a five-minute song.

The first single, and centerpiece of their fourth studio album Agents Of Fortune , was an instant hit on FM radio, and to this day remains a daily radio favorite.

It is also the song most identified with Blue Oyster Cult, solidifying its inclusion here on our list of the Top Classic Rock Songs. An album was recorded, but never released. They soon adopted the moniker of Blue Oyster Cult and signed with Columbia.

The band's first three albums are all stone-cold classics of hard, yet at times very ethereal, rock and roll. With Agents Of Fortune , the band fine tuned their sound and as a result connected with radio and record buyers, sending 'Reaper' to No. The mood is set with a sinister yet inviting, Byrds-inspired guitar riff. A driving rhythm and haunting vocals overtake the proceedings and then at the halfway point, the whole thing bursts wide open into guitar frenzy before the overall calm reclaims the terrain.

A brilliant piece of rock and roll from start to end. The song was later parodied on Saturday Night Live , with Christopher Walken playing a character who actually had nothing to do with the original recordings.

Bruce Dickinson was the reissue producer and did not produce the original album; Sandy Pearlman did. These five guys from Manitoba, Canada, can't seem to grasp the allure of an American woman during this entry on our list of Top Classic Rock Songs. But it still made for great rock and roll. Hailing from the record of the same name, the Guess Who's 'American Woman' vaulted to the top of the Billboard charts shortly after the single was released in March The song actually came together in a rather unexpected way.

It reportedly started as a live jam during one of the Guess Who's concerts in Ontario, Canada. As the group found their way, Burton Cummings began improvising the lyrics, singing what he felt worked best with the rhythm.

Although some perceived the song's lyrics to be chauvinistic, bassist Jim Kale insisted that the words were merely meant to reflect some of the social differences between Canada and the United States at the time, most namely around the draft for the Vietnam War. In an ironic twist, the Guess Who were invited to play at the White House shortly after the song was a certified hit but were reportedly asked by First Lady Pat Nixon to refrain from playing 'American Woman' due to its perceived anti-American lyrics.

And when 'Roxanne' did finally resonate with listeners after its re-release, it barely cracked the Top 40 in the U. I mean, they do have fellas. How would I feel? Despite the risque subject matter, 'Roxanne' reportedly helped the Police secure a record deal. The label agreed, beginning a relationship that would span the Police's entire career. As if to underscore its genre fluidity, 'Roxanne' has metamorphosed through the years. Emo-pop act Fall Out Boy emphasized the punk roots of the song on a released cover, while pop star George Michael approached the song like a standards crooner.

Sting himself has actually reinvented the song more than anyone else: He recorded a version of the song with rapper Puff Daddy in , and during solo concerts has performed both an extended, reggae-driven interpretation of the song and a gentle orchestral rendition. Frampton is deservedly celebrated for his guitar playing and songwriting, but should also be recognized as a survivor in an industry that chews up and spits out even the best of them.

The longevity of his career is nothing short of remarkable. Remember, he started out as the vocalist and guitarist in the British teen band the Herd, and then followed that up by co-founding the mighty Humble Pie before going solo. Frampton released four mildly successful solo albums before millions and millions of copies of Frampton Comes Alive!

He was calling out for guidance and the audience made the connection. So, while the boys tried to figure out how he achieved that unique talk-box sound could it be he got some inspiration from Joe Walsh?

Decades years later, Frampton has proven that he knew the way all along. You can almost feel the warm breeze blowing in as the summery sounds of wind chimes lead into the acoustic guitar and fiddle during the opening of the next track on our Top Classic Rock Song countdown, the Doobie Brothers' 'Black Water.

However, in an oft-repeated tale in rock history, an intrepid DJ flipping the record over and playing the other side led to the song hitting the No. Written and sung by guitarist Patrick Simmons, 'Black Water' was a change up from the more rootsy rock and roll that had established the band up to this point with hits like 'Long Train Runnin' and 'China Grove. The Doobie Brothers would go on to score more hits and explore more creative ground throughout their long and successful career, but 'Black Water' was their first monster hit and remains among their most popular songs ever.

Rush grab their much deserved slot on our Top Classic Rock Songs list with a track that found the band once again breaking new ground artistically. From the band's perspective, every single second of 'Tom Sawyer' would be hard fought for in the studio as they worked to get things exactly right. What began as it often does as simple noodling at soundcheck evolved into a much more complex undertaking.

Fortunately their efforts paid off and 'Tom Sawyer' was quite well received, to put it mildly. The positive reception however, came as a complete shock to the band. Lifeson has joked in the past about nailing the solo in a short period of time, but he later admitted that in reality quite a bit of tinkering was necessary to finally get a satisfactory take.

Regardless of exactly what format the best local rock station from your teenage years favored — the popular classics, the hard stuff, or true oldies — odds are pretty good that Thin Lizzy's hit 'The Boys Are Back in Town' was regularly pulled out of the record stacks to accompany your evening's adventures.

Learning how to drive, then spending weekend nights goofing off with your friends in the car, you'd kill to hear a song like this on the radio. It would soundtrack your night, but you'd hope for more — that it would somehow bend the evening toward some chaotic climax of insanity, like a bar fight or the chance to sweep some new girl off her feet.

Even if, in reality there were no bars you really had a prayer of getting into and few girls willing to give any of us guys the time of day. Thin Lizzy's classic sound was defined by the twin guitars of Scott Gorham and Brian Robertson, and the central riff on hard-to-dispute Top Classic Rock Songs club member 'The Boys Are Back in Town' is maybe their most recognizable and brilliant moment.

But let's not discount the late Phil Lynott's lyric or vocals; breathless from the start, he paints with a broad brush and brings you into the middle of an ongoing story.

These characters aren't from anywhere you know, and they may not wander through your night again, but while they're around, they will tear things up. We must admit, we can't recall any evenings spent cruising around in our green Ford Tempo that rivaled the action depicted in 'The Boys Are Back in Town. By , more than a decade into their career, Judas Priest were ready to take on the world.

With the release of their sixth album, the classic British Steel and the single 'Living After Midnight' they were really delivering the goods. The song packed a real one-two punch that woke up U. With its simple, almost Kinks-like riff, 'Living After Midnight' was a perfect melding of metal and pop, in the best sense of both worlds.

In just over three minutes, Judas Priest packed all the power of their metallic sound into a simple, direct pop track. Leaving behind earlier, more complicated songwriting, the band turned in a riff, melody and driving beat that was irresistible to rock radio.

Record buyers also got hooked, giving Judas Priest their first major hit. The album cracked the Top 40 in America and the Top 5 in their native England. Judas Priest could be a lot heavier, no doubt, and at times even poppier remember 'Turbo Lover'? Four years after Frank Zappa realized there was something special about Alice Cooper, signing them to his record label, the title track from the band's album School's Out sent the group to the head of the class.

Decades later, it still easily aces our Top Classic Rock Songs entrance exam. Three and a half minutes of pure loud guitar bliss, with Alice the man in full power of his gritty, made-for-rock and roll voice. From the opening call to arms guitar riff through to the cheering school kids at the end, it's a celebration put to wax. Wisely released just as school was letting out across America, the single hit the Top 10 in June of and would carry the album all the way to No.

The song proved to be an even bigger hit in England, where it shot to No. The ever-present controversy surrounding Alice Cooper didn't hurt. The group's on-stage use of snakes, hangings, guillotines and a pervading dark, perverse sense of humor made their show a must-see attraction early on. The release of the School's Out album itself was not without its share of headlines as the initial run was packaged with paper panties in lieu of a sleeve.

Turns out, the panties were flammable and had to be recalled. Naysayers howled: Who was this sick Alice Cooper and why were young kids buying a record with panties in it?

Of course, this was back when parents would genuinely get upset by such things. Ahh, those were the days! Then again, why would you want to? The original studio version of the song had appeared on the band's sophomore LP In Color , and failed to make any waves in this country. In Japan, a different story was unfolding: The band became an overnight sensation in the land of the rising sun.

Just as their third album, the classic Heaven Tonight , hit the streets, Cheap Trick found themselves being welcomed to Japan, Beatlemania-style. This led to a headlining tour, and the recording of a series of shows at the legendary Budokan arena. The resulting live project, Cheap Trick at Budokan , was released in the fall of and was originally intended for a Japanese-only release. Then something happened. Imports started showing up in this country and — what d'ya know? In fact, Cheap Trick at Budokan reportedly became the biggest selling import album of the '70s.

So, in a classic case of supply and demand, Epic Records released the album here in early and it just took off. The success of At Budokan caught everyone by surprise — the label and radio programmers, not to mention the band itself. As it kept selling, the album shot to No. It made the Budokan and Cheap Trick household names, and turned the masses on to what the band's die hard fans already knew: This was a great band that needed to be heard.

Along with 'Surrender,' this remains the song most identified with the eternally great Cheap Trick, so it finds a rightful home on our list of the Top Classic Rock Songs. Approximately one year following the release of JJ Cale's record Troubadour , Eric Clapton introduced Cale's song 'Cocaine' to a much wider audience when he included it on his album Slowhand , released in November Slowhand marked a resurgence of sorts for Clapton, arriving after a string of releases failed to live up to the promise heard on 's Ocean Boulevard.

Driven by a relatively laid-back blues beat, 'Cocaine' wasn't so much a lyrically based song as it was a somewhat understated showcase of Clapton's superior skill with the guitar. His version of 'Cocaine' runs approximately 53 seconds longer than Cale's, but Clapton's treatment of the track is otherwise faithful, maintaining the same relaxed vibe as the original.

Given his ability on the guitar, it should not be terribly surprising to anyone that Clapton chose to showcase his chops and in turn extend the song. Regardless, the song stands proud on our Top Classic Rock Songs list as arguably one of his finest moments, and a staple of his set list decades after its release. Following the massive success of their self-titled debut record, England's Bad Company certainly had their work cut out for them when the time came around to crafting the dreaded sophomore follow-up.

The song starts with an acoustic guitar, sounding somewhat similar to Led Zeppelin, who signed the band to their Swan Song label. Vocalist Paul Rodgers sounds almost wistful and rather restrained, considering what we know of his full potential power. Gentle vocal harmonies keep 'Feel Like Makin' Love' on track before guitarist Mick Ralphs kicks the distortion pedal on in time for the anthemic, yet simplistic chorus. Rocket science this was not, yet the track resonated well with their fans.

Kid Rock is one of the more recent artists to have covered 'Feel Like Makin' Love,' including the song on his self-titled release of But he didn't have quite as much luck on the charts as the originators of the song did, peaking at No. The Pacific Northwest band had become superstars in Canada and the U. It was really a feeling of rage I felt; I felt sort of trapped and really insulted.

Underneath the barreling top layer, sustained guitar flourishes add flickers of unease. Heart's entry onto our Top Classic Rock Songs list has lost none of its power over the years. Fleetwood Mac's legendary record Rumours has sold more than 19 million copies in the U. A warts-and-all tale of real-life relationship break-downs within the band — yes, more than one, at the same time — Rumours has stood the test of time largely based around the honesty of tracks like 'Go Your Own Way.

Ultimately, he concludes if she doesn't like what he has to offer, well, the door's right over there. Ironically, for a song that classic rock radio has almost played to death, it seems to be more revered nowadays than it was at the time of its original release.

Chances are that if you were to approach any random stranger on the street, they would be more likely to have heard 'Go Your Own Way' that either of those other two tracks. Let that sink in: This fully-formed, blues-drenched tune was the first many heard from Mark Knopfler and company. Its appeal was evident long before 'Sultans of Swing' hit No. After all, a demo version of the song reportedly earned the band a record deal. More specifically, the literal approach to the lyrics is subtle and clever.

The year was busy for former Beatles star Paul McCartney. April saw the release of his album Red Rose Speedway Then the stand-alone single song 'Live and Let Die' — written for the James Bond movie of the same name — garnered McCartney one of his biggest hits ever. The No. Unlike much that McCartney had released to date, 'Live and Let Die' starts with a hushed introduction featuring piano and McCartney's doubled-up vocals, but an entirely different dynamic comes into play after the first verse.

At this point, a bombastic run of strings and orchestral instruments brings approved action movie drama to the proceedings, before making another surprising move, into a pseudo-reggae bridge. It was, to say the very least, an interesting mash-up of musical styles, and one that only a talented and studied artist like McCartney could pull off with such flying colors.

In what could have been the ultimate tribute, Weird Al Yankovic had approached McCartney with the idea of writing a parody of the song that he was going to call 'Chicken Pot Pie. Otherwise, many bands have covered the track since its release. Elton John's 'Rocket Man' is not the first classic rock song about a lonely dude drifting through space.